Engraved sandstone pieces from the Churinga Cave of Kamyana Mohyla, Ukraine, TEMPA-3D projectdoi:10.18710/OTPFFJDataverseNO2025-11-121Radchenko, Simon, 2025, "Engraved sandstone pieces from the Churinga Cave of Kamyana Mohyla, Ukraine, TEMPA-3D project", https://doi.org/10.18710/OTPFFJ, DataverseNO, V1Engraved sandstone pieces from the Churinga Cave of Kamyana Mohyla, Ukraine, TEMPA-3D projectdoi:10.18710/OTPFFJRadchenko, SimonRadchenko, SimonHordiienko, TimMansrud, AnjaLittle, AimeeUniversity of Stavanger2025-10-09Kyiv, UkraineAgisoft MetashapeAdobe Photoshop101153375DataverseNOUniversity of StavangerRadchenko, SimonRadchenko, Symon2025-10-092025-10-09TEMPA-3DTEMPA-3D is a transdisciplinary project focused on the Mesolithic portable art of Europe. It aims to create a new research subfield by merging two non-invasive and non-destructive techniques — digital photogrammetry and experimental archaeology. While the experimental study will give new data on the details of rock art production, 3D modeling of the experimental specimens allows comparison with the prehistoric engraved stones. <br> This fuse of methodologies reveals how the art was made down to a hand movement. The project is focused on two case studies — the fragile collection of Mesolithic objects from Norway and the endangered portable rock art collection from Kamyana Mohyla, Ukraine. It aims to digitally preserve and study these unique datasets and apply new methods to show their significance and uniqueness worldwide. Moreover, as the two case studies represent similar economic and societal formations, the project benefits from comparing them to reveal features and similarities of the Late Mesolithic in Northern and South-Eastern Europe.Arts and HumanitiesSocial SciencesArchaeologyMesolithicSandstonePhotogrammetryMicrophotogrammetryRock artAn asset of 3D models of sandstone portable art objects from Kamyana Mohyla from the collection of the Institute of Archaeology of the NAS of Ukraine. The dataset comprises 36 artifacts studied during the TEMPA-3D research project, representing a collection of Late Mesolithic objects. It consists of 36 3D models and presents both the models themselves and the RAW image data used during photogrammetric procedures. The accuracy is approximately 0.2 mm.6400 BCE3300 BCE2025-08-152025-11-01UkraineZaporizhzhya oblastKamyana Mohyla National ReserveMyrnevillage35.46900035.47080346.95023846.950805Individual material artefactA collection of sandstone portable art objects from Southeast Ukraine (Kamyana Mohyla in Zaporizhzhya region), covered with characteristic incisions or other traces of surface modification. These are primarily attributed to the Late Mesolithic of Steppe Ukraine, 6400–3300 BCE.Raster image 2D dataimage-based 3D modelsmachine-readable textsupplementary data files for 2D and 3D data (plain text files)Simon RadchenkoTechnologies for cultural heritage PhD school in University of Torino, ItalySeparate episodes of digitization events during 2024A variety of surface shapes and arrangements combine with the variety of surface modification techniques. Details at: https://tempa3d.com/All artifacts originate from the collection of the Institute of Archaeology of the National Academy of Sciences of Ukraine in Kyiv, and are physically stored there. They were delivered to Kyiv after the excavation campaigns of 1973-1974 by Valentin Danilenko. 2D images and 3D models are digital-born in course of TEMPA-3D project.All data were extracted during the excavation projects on the west slope of Kamyana Mohyla Hill, primarily within Churingas Cave. They are attributed to the Late Mesolithic of this cultural landscape.Detailed metadata of the artifacts and paradata of the digital data are available at https://tempa3d.com/Materials related to the dataset are stored at the Institute of Archaeology of the National Academy of Sciences of Ukraine in Kyiv, and are available upon request to the museum or by contacting the dataset creator.<a href="http://creativecommons.org/publicdomain/zero/1.0">CC0 1.0</a>Radchenko, Simon. 2022. Rediscovered Mesolithic Rock Art Collection from Kamyana Mohyla Complex in Eastern Ukraine, Open Archaeology, 8(1), 114—131. DOI: 10.1515/opar-2022-0230Radchenko, Simon & Kiosak, Dmytro. 2022. Upper Paleolithic rock art of Ukraine between here and nowhere. Quaternary International. DOI: 10.1016/j.quaint.2022.09.008Radchenko, Simon. 2025, "Soapstone sinkers for line fishing from the collection of the University Museum Bergen, Norway, TEMPA-3D project", https://doi.org/10.18710/HCOGRL, DataverseNORadchenko, Simon. 2025, "Experimental dataset from the TEMPA-3D project", https://doi.org/10.18710/42MXQL, DataverseNORadchenko, Simon. 2025, "Soapstone sinkers for line fishing from the collection of the Archaeological Museum of the University of Stavanger, Norway, TEMPA-3D project", https://doi.org/10.18710/FJM6YB, DataverseNORadchenko, S., Adegeest, M., Little, A., Mansrud, A., Kutchera, M. 2025. Photogrammetric 3D modelling and experimental archaeology reveals new technological insights into engraved soapstone sinker production in Western Norway (6400-3300 cal. BC). Digital Applications in Archaeology and Cultural Heritage 37, e00427.10.1016/j.daach.2025.e00427Radchenko, S., Adegeest, M., Little, A., Mansrud, A., Kutchera, M. 2025. Photogrammetric 3D modelling and experimental archaeology reveals new technological insights into engraved soapstone sinker production in Western Norway (6400-3300 cal. BC). 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